Tamarind Institute records, 1959-[ongoing].

ArchivalResource

Tamarind Institute records, 1959-[ongoing].

The Tamarind collection is divided into two series: Administrative Files, and Research and Publications. These series are further divided into subseries. For the most part, the collection retains the basic organization created and used by Tamarind. We have done little re-filing, thus materials that were not filed correctly when the collection was given to us largely remain "mis-filed" or in miscellaneous subseries. Original Tamarind file numbers appear in parentheses, following folder descriptions. There is some overlap between the two series. Series I, Administrative Files, includes papers and correspondence relative to the establishment of the TLW in Los Angeles, continuing throughout the decade that the Workshop was located in Los Angeles (1960-70). It includes correspondence with members of its Board of Directors and its Panel of Selection; correspondence with artists who were nominated for fellowships, applications from and correspondence with prospective printer- and curator-fellows; tape recordings (5," 7," 9" reels and cassettes) of interviews and lectures; and other materials relative to the operation of the Workshop in L.A. The series also contains correspondence and files pertinent to the subsequent establishment of the Tamarind Institute at the University of New Mexico in 1970, and the business of the Institute into the 1980's. This includes correspondence with artists, printers, and curators who worked at TI. Series II, Research and Publications, contains research and publications generated both at the TLW and TI, including research notes, manuscript material, publications, and correspondence related to projects undertaken at Tamarind. Notably, this series includes the Tamarind Book of Lithography and two films produced at Tamarind, The Look of a Lithographer and Four Stones for Kanemitsu, although some administrative materials related to these projects will also be found in Series I. The researcher should be aware that in certain subseries, such as General Files, Artists Biographies, Artists Editions, and Documentation Worksheets, individuals may be grouped together in an alphabetical range, and therefore their individual names will not appear. Files specific to individuals use a last name, first name format; other appearances of names often use a first name or first initial, last name format. In some instances, only last names appear in the inventory. Photographs, including photographs of lithographs, artists, printers, and visitors to the Workshop and the Institute have been transferred to the CSWR photoarchives. Duplicate, preservation copies of most audio tapes will be found in boxes labelled A, B, C, shelved with the rest of the collection. An addition to this collection was processed in March 2003. The additional materials consist primarily of administrative correspondence and files, a scrapbook from Tamarind's 40th anniversary, artists files, and audio taped interviews conducted by Elizabeth Jones-Popescu. These additional materials overlap with the original accession. A second addition was processed in June 2005. This consists largely of artist and other administrative files. A small quantity of research/publications is also included.

68 boxes (60.55 cu. ft.) + 1 oversized folder

Information

SNAC Resource ID: 7400787

University of New Mexico-Main Campus

Related Entities

There are 7 Entities related to this resource.

Jones-Popescu, Elizabeth, 1944-

http://n2t.net/ark:/99166/w6j98c82 (person)

Wayne, June 1918-....

http://n2t.net/ark:/99166/w60k2dds (person)

June Wayne (1918-2011) was a painter and printmaker in Los Angeles, Calif. From the description of Oral history interview with June Wayne, 1970 Aug. 4-6. (Unknown). WorldCat record id: 767864547 From the description of Oral history interview with June Wayne, 1970 Aug. 4-Aug. 6. (Unknown). WorldCat record id: 122397068 Visual artist June Claire Wayne was born on March 7, 1918 in Chicago, Illinois, where she was raised by her divorced mother, Dorothy Alice Kline. At a...

Tamarind lithography workshop

http://n2t.net/ark:/99166/w6p59k23 (corporateBody)

Carl Zigrosser became involved with the Tamarind Lithography Workshop in 1959, when the Ford Foundation asked him to evaluate the grant application of June Wayne. Zigrosser served on the panel of selection that submitted names of printmakers for fellowships. From the description of Correspondence with Carl Zigrosser, 1959-1971. (University of Pennsylvania Library). WorldCat record id: 155899466 Lithography workshop; Los Angeles, California. Founded i...

Rocky Mountain Online Archive

http://n2t.net/ark:/99166/w6vx5skx (corporateBody)

Antreasian, Garo Z., 1922-

http://n2t.net/ark:/99166/w6zg6w28 (person)

Printmaker and art educator, born in Indianapolis, Ind. Garo Antreasian's works have been shown at exhibitions in Philadelphia, Brooklyn, Library of Congress, Dallas, and Indiana. As an educator he occupied positions at the Herron School of Art, Tamarind Lithography Workshop in Los Angeles, Tamarind Institute in Albuquerque, and the University of New Mexico. He also served on the Albuquerque Museum Board of Trustees. From the description of Papers, 1956-1987. (University of New Mexic...

Adams, Clinton, 1918-2002

http://n2t.net/ark:/99166/w680565x (person)

Painter, printmaker, art administrator; Albuquerque, N.M., b. 1918; d. 2002. From the description of Clinton Adams papers, 1934-2002. (Unknown). WorldCat record id: 80440497 B. 1918. From the description of Clinton Adams artist file. (Whitney Museum of American Art). WorldCat record id: 228432018 Printmaker, painter, art administrator; Los Angeles, Calif. and Albuquerque, N.M. Adams was born in 1918 in Glendale, California and di...

Tamarind Institute

http://n2t.net/ark:/99166/w6mw776m (corporateBody)

In 1959, artist June Wayne submitted a proposal to W. McNeil Lowry of the Ford Foundation for the establishment of a workshop devoted to the revival and preservation of the art of lithography. Wayne's initial proposal to the Ford Foundation (FF) formulated six goals for Tamarind, which were to: 1- create a pool of master artisan-printers in the United States by training apprentices under one or more European master-printers imported for this purpose; 2- develop a group of American artists of div...